Tradition – Reversal

The notions of tradition and subversion are structural components of the “idiosyncrasy” of a region like the Mediterranean, which has such a rich cultural and intellectual heritage; a region that is diverse, unique and full of contradictions, a world of concentric and overlapping circles with a long history, numerous convergences and divergences, a crossroads of East and West. Today, it is hard to think of any other part of the world troubled by so many conflicts and upheavals. The Mediterranean is “burning” over and over again, afflicted by wars, social and political turmoil, the redrawing of borders and value systems, economic crises and regime change. From Gibraltar to the Gaza Strip and Cyprus, and from Greece and Albania to Egypt and Tunisia, the Mediterranean is a volatile region, where history is rewritten and art is redefined.

The works selected for the exhibition Tradition - Reversal of the State Museum of Contemporary Art belong to artists who have focused on discovering and recapturing the dynamic and fundamental function of art; employing this function, they make a statement about the difficult position of contemporary man, who seems to be, more than ever before, in need of constants and a safe haven, as he lives in this crucial and volatile historical juncture, which is characterized by an often enforced break with his values and roots. Contemporary artists, no matter how much they have lost their bearings amidst numerous ambiguous and contradictory views, listen attentively to the changes and transformations, often identifying them before they have become clearly visible. They then react to those transformations and express themselves in ways that demonstrate the new face and role of the arts.

The exhibition presents works that have been recently added to the permanent collections of the

State Museum of Contemporary Art. Some were bought by the Museum, others were donated and some are on loan. The works –paintings, sculptural compositions, installations, photographs and video projections– are combined to shed light, by their forms, norms, documents and memories they evoke, to the Mediterranean, a shared place of origin, a point of reference and, today, the field of intense, dramatic and powerful upheavals and transformations. The curators of the exhibition wanted to investigate, through an exhibition consisting of works that were not created ad hoc or on the basis of a predetermined exhibition theme, the existence of a common idiom rooted in common references, origins, actions and beliefs, which takes the form of a language that may allude to a common identity or even perhaps a shared destiny.

The center-stage of the exhibition is devoted to the latest work created by Nikos Alexiou, a composition that has never been presented to the public before. The exhibition is a tribute to Alexiou, in whose work the notions of tradition and subversion have a prominent place, serving as a major theme for his artistic investigation. The idiom of Alexiou’s work stands out for its sensitivity and its poetic, innovative and authentic character.

Through the works presented at the exhibition Tradition - Reversal, art aspires to offer its own extroverted answer, to inspire the subversion of the status quo, to deplore the ills of today’s world, to suggest new ideas and attitudes, and to raise public awareness. Art makes its presence felt by invoking timeless myths, the pursuit of symbols, the ties with the past, the mourning that follows moral and material loss, the dead, the immigrants, the muzzled intellectuals, the passive or outraged citizens, the destructions and extinctions of all kinds.

In this volatile environment, in a region undergoing major transformations, the exhibition makes its own argument through the artworks presented, raising a number of crucial questions and issues, identifying similarities and differences, and reminiscing about everyday activities and the times when life was still normal. The artists narrate stories based on personal and collective experiences, which touch on world views and philosophical ideas, but also to stories that relate to political, social and cultural considerations that are of vital importance to us all.

Katerina Koskina - Yannis Bolis

 

Participating artists: Nikos Alexiou, Stephen Antonakos, Filippo Berta, Lizzie Calligas, Vlassis Caniaris, Nikos Charalampides*, Lydia Dambassina, Christoph Draeger, Yioula Hadjigeorgiou, Khaled Hafez, Niki Kanagini, Antigoni Kavvatha, Evangelia Kranioti, Nikolaj Bendix Skuym Larsen, Maria Loizidou, Dimitris Merantzas, Micha, Oliver Musovik, Irfan Önürmen, Dennis Oppenheim, Leda Papaconstantinou, Natassa Poulantza, Eugenio Tibaldi, Giorgos Tserionis, Costas Tsoclis, Costas Varotsos, Constantin Xenakis, Dimitris Xonoglou, Yang Yonglang.

*The works of Nikos Charalampides, entitled White and red flag. Homage to Vasso K., are presented at the Teloglion Foundation of Arts-AUTh because of their relevance to the exhibition Vasso Katraki: In black and white.

Venue: 
Warehouse B1, Thessaloniki port
Info: 
Curators: Katerina Koskina - Yannis Bolis
Museographic design: Katerina Koskina - Gianna Stavroulaki
 
18.09.2013 - 15.01.2014
Warehouse B1, Thessaloniki Port
Tue-Sun 10:00-18:00 / Monday closed
Τ: +30 2310 593270
Artworks: 
YANG YONGLANG UNTITITLED, 2009 DIGITAL PRINT ON DIBOND 110 X 120 CM
NIKOS ALEXIOU IVIRON MONASTERY, THE BIG LACE, 2003 PAPER AND TWINE PHOTO © THE BIG GARDEN. NIKOS ALEXIOU ARCHIVE PHOTOGRAPHY: PANOS KOKKINIAS
DENNIS OPPENHEIM STUDY FOR DEVICE TO ROOT OUT EVIL, 1997 PAINTING, PENCIL, COLORED PENCILS, OIL WASH AND PASTELS ON PAPER 195 X 127 CM
LIZZIE CALLIGAS FROM THE METOIKESIS SERIES, 2007-08 PHOTOGRAPH 160 X 108 CM
FILIPPO BERTA HOMO HOMINI LUPUS, 2011 VIDEO 3’
ANTIGONI KAVVATHA AGONY IN THE GARDEN, 2010 ACRYLICS ON MYLAR  158 X 122 CM
LYDIA DAMBASSINA, ALLE WEGE SIND VERSCHLOSSEN, 2010 LAMBDA C-PRINT, 170 X 125 CM
 KHALED HAFEZ, REVOLUTION (LIBERTY, SOCIAL EQUITY, UNITY), VIDEO INSTALLATION, 2006
KHALED HAFEZ, REVOLUTION (LIBERTY, SOCIAL EQUITY, UNITY), VIDEO INSTALLATION, 2006
KHALED HAFEZ, REVOLUTION (LIBERTY, SOCIAL EQUITY, UNITY), VIDEO INSTALLATION, 2006
LEDA PAPAKONSTANTINOU, IN THE NAME OF, 2007 PHOTOGRAPHY